Megan McGurk introduces a pre-Code woman’s picture Thursdays in September.
Tickets available through Eventbrite.
Be sound and wear a mask over your nose and mouth.
MADAM SATAN (1930) screens 2 September
Kay Johnson plays a long-suffering wife with a cheating husband (Reginald Denny). To win him back, she uses a fake accent and wears a smoking hot devil ensemble (by Adrian) for a costume ball aboard a zeppelin. Cecil B DeMille’s picture has one of the wildest party scenes in the pre-Code era.
JEWEL ROBBERY (1932) screens 9 September
Kay Francis plays a society dame who falls for a robber (William Powell) during a heist. She has an exquisite wardrobe by Orry-Kelly, including a velvet gown that defies gravity.
THIRTY-DAY PRINCESS (1934) screens 16 September
One minute Sylvia Sidney is stealing a turkey dinner from the Automat, and the next, she’s propositioned with a job to impersonate a visiting royal for a month. A nosey reporter (Cary Grant) smells something fishy. Sylvia looks super cute (poor or rich) in designs by Howard Greer.
BOLERO (1934) screens 23 September
Carole Lombard joins up with a taxi dancer (George Raft) who dreams of opening his own nightclub in Paris. In real life, Raft paid the bills by pleasuring women on and off the dance floor before he signed a Hollywood contract. Carole is draped in silk and satin confections from Travis Banton.
THE SCARLETT EMPRESS (1934) screens 30 September
Playing Catherine the Great, Marlene Dietrich finds herself trapped in a loveless marriage to a debauched idiot (Sam Jaffe) and lusts after Count Alexi (John Lodge). Josef von Sternberg attempted to match the scenery with perversity of the Russian court. Travis Banton swaddles Marlene in an orgy of fur.