In Preston Sturges’s glorious screwball comedy, ‘sex always has something to do with it,’ which means that Claudette Colbert can step on Rudy Vallee’s face (twice), and rather than give out to her, he buys her a new wardrobe. Claudette plays a mug’s game, by convincing herself that she can divorce her swoon merchant husband Joel McCrea, who happens to be broke, just to grab the first millionaire she meets. In a classic woman’s picture, economic pragmatism flies out the window when Eros shoots an arrow in your can.
The Postman Always Rings Twice (1946)
Screens Thursday, May 15 at 7.00
Lana Turner takes as much pride in her Twin Oaks uniform as the soldiers who stormed Normandy Beach. She’s a hard worker, keen on amounting to something. But what’s a gal to do when a drifter (John Garfield) gives you a look that promises to give you the business? Her husband (Cecil Kellaway) plans to cart her off to another country to be a caretaker for his sister. It will take an attorney more twisted than a corkscrew (Hume Cronyn) to pull her heels out of the fire. Lana should have gotten her flowers for playing a woman caught in a jam between duty and desire.
Rona Jaffe’s bestselling novel follows Hope Lange, Suzy Parker, and Diane Baker, three roommates who work as secretaries in a New York City publishing house. Their career path is littered with the usual perils: The louche boss who chases them around desks (Brian Aherne), a detached and judgy know it all (Stephen Boyd), a heartless Broadway lothario (Louis Jordan), a rich fuck boy (Robert Evans), and a boss who fears they are after her job (the exquisite Joan Crawford). This picture has the best of everything.
All That Heaven Allows (1955)
Screens 16 January at 7.00
Douglas Sirk’s portrait of suburban America highlights the poisonous underbelly that lurks behind the large homes and manicured lawns. Jane Wyman plays a widow who falls for the hunky gardener, played by Rock Hudson, a man who’s built like one of the trees he cultivates. Unfortunately, their passion is uniformly disapproved of by the local gossips and her snotty kids. Like so many heroines before her, Wyman’s character ignores what she desires just to please everyone else. Melodrama, thy name is Sirk.
Complimentary wine and snacks (or you can bring your own).
I’ll Be Seeing You (1944)
Ginger Rogers and Joseph Cotten meet on a train just before Christmas. They are equally lonesome and guarded, because they both struggle with the shame of a terrible secret. Will they succeed in hiding the past from each other? Or does the Christmas season give them a fresh start? Ginger Rogers is famed for dancing backwards in high heels, but don’t forget that she was a triple threat: She could sing and dance, but she was also an inventive comedian, and she was an accomplished dramatic performer. Joseph Cotton brings sensitivity and nuance to the role of a war-weary soldier. Shirley Temple and Spring Byington join an outstanding ensemble cast.
Refunds available until 24 hours before the screening.
The Dot Theatre is located across from Dax Restaurant in a laneway and to the left.
Joan Blondell plays a waitress on the hunt for a rich husband. She strikes up a friendship with Melvyn Douglas, a swoon merchant disguised as a stuffed-shirt professor who can’t help giving lessons on how to be a lady. Trying to curb her penchant for accepting gifts from men, he advises that she only accept flowers, fruit, candy, and hospitality. Just how creative can Joan Blondell get with those directions?
The Big Street (1942)
Screens 10 October at 7.00.
Best known for being a comedic powerhouse who invented appointment TV and later bought the studio that once considered her only a second-tier contract player, Lucille Ball proves her dramatic chops in one of the best Broadway fables from Damon Runyon. Lucy plays a hard-boiled canary with a cash register where a heart ought to be. Henry Fonda, a bus boy, worships her from a far and then up close.
Old Acquaintance (1943)
Screens 17 October at 7.00.
Bette Davis and Miriam Hopkins play college pals who become rival novelists. Bette is the highbrow author who struggles writing literary fiction. Miriam writes bodice rippers that turn into commercial best sellers. Bette wears jackets and ties; Miriam wears ruffles and lace. Sparks fly whenever they meet, making the love interests with men the least interesting thing about the picture.
In 1933, Betty Compson was robbed at home. The thief stole nearly $50,000 in jewels. She was only one of many stars burgled in a series of Hollywood heists. But by this time in her career, Betty had seen every dirty racket the film colony invented and pledged to get her gems back.
Our new radio play was inspired by a newspaper story.
When women ruled Hollywood, gigolos grew on palm trees.
Betty Compson’s Diamonds is a Sass Mouth Dames production, written and directed by Megan McGurk.
Meet the stars:
Clara Higgins plays Betty Compson.
Clara is an Irish artist and writer perhaps better known as her pseudonym Mot Collins. Under this moniker, she creates illustrations, zines, and tattoos. Mot is interested in subversive expressions of femininity, sexuality, occultism, and comedy. She is highly influenced by pulp and punk culture. She can be found on Twitter as @heavydutywoman and @motcollinsart on Instagram. She will make her screen debut starring in the short film Sex Pirates of 1931.
Olympia Kiriakou plays Lila Lee.
Olympia Kiriakou is a film historian specializing in stardom and genre in classical Hollywood. She is the host of “The Screwball Story” podcast, and the author of BECOMING CAROLE LOMBARD: STARDOM, COMEDY, AND LEGACY (Bloomsbury, 2020). She is currently writing VIRGINIA GREY: GOOD LUCK CHARM for the University Press of Kentucky. Visit her website The Screwball Girl and find her on Twitter: @thescrewballgrl and @screwballstory.
M. Shawn plays Sally Eilers.
M. is a former television news producer, a writer, a researcher, an accidental homemaker, and a full-time Jean Harlow fan. After a year in quarantine, her blood type is banana bread, and if people were allowed to be fictional characters in a past life, she’d be Blondie Johnson.
Savannah Monroe plays Claudia Dell.
Savannah Monroe is a film writer and historian based in Colorado. Her focus is in the films and women of the classical Hollywood period. She has been researching and writing about Anne Bancroft, her life and legacy, since 2018. Her work can be found through her website Garbo Talks and on Twitter as @garbo_talks.
Renee Smith plays Genevieve Tobin.
Whenever Renee spent a weekend at her grandmother’s house, Nanna, who was a the best seamstress in town, would call Renee to her side to watch “the black and white movies” and point out all the great style. Renee and her sisters loved to play in Nanna’s closet with its furs, hats, lucite pumps and bejewelled bags. So of course she was drawn to Sass Mouth Dames and became a huge fan. Her mildly sardonic spouse and cheeky kids have accepted her recent insistence on wearing classic hats, big wrap shawls and gloves when she walks their muzzled dog, as she struts through the un-classic streets of her neighbourhood in Toronto, Canada.
Shane McCormack plays Finnegan Redmond.
Shane McCormack is a freelance illustrator specializing in movie and pop culture subjects.Recent licensed work includes Halloween and Ghostbusters. When not drawing he collects physical media especially 1930/40s movies and any Barbara Stanwyck film. He also enjoys photography and has a BA in Visual Art. He’s on Twitter as @mrharrylime. Shane is in pre-production as cinematographer for the short film Sex Pirates of 1931. You can see his work at www.mrharrylime.com
Patrick McGurk plays Chick Gallagher.
Pat is a resident of SWFLA, enjoying the proximity to the Ocean and the Gulf. He has been active in community theatre since high school as an actor, director and producer. Pat’s stage credits include such diverse roles as the Narrator in The Rocky Horror Show, Bud Frump in How to Succeed in Business Without Really Trying, Richard III, and various other parts in Shakespeare. He has also directed over 15 shows from Shakespeare to most recently Private Lives by Noel Coward. When not working on a show, or working, you can find Pat on the water with dive gear or a fishing rod.
Megan is a writer and director who carries a torch for studio era woman’s pictures. She has hosted Sass Mouth Dames film club in Dublin since 2017 and the podcast from 2018. She has written and directed ten original radio plays set in the 1930s. She wrote an essay for Criterion on Love Affair. She is on Twitter @MeganMcGurk and @SassMouthDames and Instagram @sassmouthdames. Currently, Megan is in pre-production as the writer and director of the short film Sex Pirates of 1931.
Art design for Betty Compson’s Diamonds by Mot Collins.
Sound editing and special effects by Tom O’Mahony.
Thomas O’Mahony is a London based Irish Podcast Producer who specialises in storytelling and audio design. He hosts a tattoo history show called Beneath the Skin, and is passionate about how we can use audio to tell new and innovative stories. You can find Thomas on all social media @gotitatguineys or contact him for business related inquiries at thomasomahony.media
