Join Sass Mouth Dames Film Club as we celebrate Christmas with a screwball murder mystery that’s pure gold. Metro-Goldwyn-Mayer adapted Dashiell Hammett’s best selling novel The Thin Man starring William Powell and Myrna Loy, who play the screen’s ideal married couple, Nick and Nora Charles. Directed by ‘One-Take Woody’ Van Dyke in only sixteen days, the picture’s brisk pace, sophisticated style, and urbane banter spawned five sequels and a whole raft of imitations. Nominated for four Academy Awards, the picture was one of the biggest hits at the box office in 1934. We musn’t forget mention their dog Asta, played by Skippy, who steals every scene he’s given.
Modern audiences tend to know Sylvia Sidney from her late-career work with Tim Burton, yet she was an instant star in Hollywood after her screen debut in CityStreets. Dashiell Hammett claimed that he wasn’t pleased with Paramount’s version of his story, ‘After School’ which he later revised and retitled, ‘The Kiss-Off.’ But he was smitten with Sylvia Sidney, citing her as his favourite screen actress. Sylvia plays Nan, a girl in the rackets who falls for a carnival sharpshooter named The Kid, played by swoon merchant Gary Cooper. Will their love survive, or will gangsters tear them apart?
The Story of Temple Drake (1933)
Screens 11 September at 7.00
Temple Drake, played by the luminous Miriam Hopkins, has the world on a string. She’s rich, beautiful, and part of an influential family, which gives her the freedom to thumb her nose at society’s rules. But one night, on a spree, she wanders into a spooky roadhouse, where instead of finding restless ghosts rattling chains, she’s surrounded by cutthroat bootleggers and rapists. Miriam was delighted with the heroine taken from Faulkner’s lurid novel Sanctuary. She noted: ‘that Temple Drake, now there was a thing. Just give me a nice, unstandardized wretch like Temple three times a year, and I’ll interpret the daylights out of them.’
Bonus short: On the Loose (1931)
Since Temple Drake is a lean 70 minutes, we’ll start with a short from Hal Roach comedy team Thelma Todd and Zasu Pitts. The gals are fed up with dates who take them to Coney Island. Comic mayhem ensues.
Twentieth Century (1934)
Screens 18 September at 7.00
Set at a breakneck pace that moves faster than the train it’s named after, Carole Lombard and John Barrymore give such animated performances in TwentiethCentury that you could turn the film stills into a flipbook. They gesticulate, glower, and sling verbal darts at each other throughout the run of Howard Hawk’s screwball gem. Carole plays Mildred Plotka, a lingerie model who becomes a star thanks to the maniacal tutelage of Barrymore. Once she’s on top, with the stage name Lily Garland, he refuses to let go. The clash of their theatrical egos zings like a musical score, thanks to a brilliant script by Ben Hecht and Charles MacArthur.
Broadway showgirls use a repertoire of gags to get cash from men. But once a gangster squeezes the girls for protection money, they must find a way to give him the brush.
SATIN RACKETS was written and directed by Megan McGurk.
Meet the stars:
Clara Higgins plays Kitty Adare.
Clara is an Irish artist and writer perhaps better known as her pseudonym Mot Collins. Under this moniker, she creates illustrations, zines, and tattoos. Mot is interested in subversive expressions of femininity, sexuality, occultism, and comedy. She is highly influenced by pulp and punk culture. She can be found on Twitter as @heavydutywoman and @motcollinsart on Instagram.
Art design for SATIN RACKETS by Mot Collins.
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M Shawn plays Iris.
M. is a former television news producer, a writer, a researcher, an accidental homemaker, and a full-time Jean Harlow fan. After a year in quarantine, her blood type is banana bread, and if people were allowed to be fictional characters in a past life, she’d be Blondie Johnson.
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Olympia Kiriakou plays Dinah and Mrs Healy.
Olympia Kiriakou is a film historian specializing in stardom and genre in classical Hollywood. She is the host of “The Screwball Story” podcast, and the author of BECOMING CAROLE LOMBARD: STARDOM, COMEDY, AND LEGACY (Bloomsbury, 2020). She is currently writing VIRGINIA GREY: GOOD LUCK CHARM for the University Press of Kentucky. Visit her website The Screwball Girl and find her on Twitter: @thescrewballgrl and @screwballstory.
Patrick McGurk plays Buzz Moody and Talbot.
Pat is a resident of Key West, Florida. He has been active in community theatre since high school as an actor, director and producer. Pat’s stage credits include such diverse roles as the Narrator in The Rocky Horror Show, Bud Frump in How to Succeed in Business Without Really Trying, Richard III, and various other parts in Shakespeare. He has also directed over 15 shows from Shakespeare to most recently Private Lives by Noel Coward. When not working on a show, or working, you can find Pat on the water with dive gear or a fishing rod.
Shane McCormack plays Joe Ryan and Corsairs.
Shane McCormack is a freelance illustrator specializing in movie and pop culture subjects.Recent licensed work includes Halloween and Ghostbusters. When not drawing he collects physical media especially 1930/40s movies and any Barbara Stanwyck film. He also enjoys photography and has a BA in Visual Art. He’s on Twitter as @mrharrylime. Shane is the cinematographer and editor for the short film Sex Pirates of 1931. You can see his work at www.mrharrylime.com
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Savannah Monroe plays Pansy.
Savannah Monroe is a film writer and historian based in Colorado. Her focus is in the films and women of the classical Hollywood period. She has been researching and writing about Anne Bancroft, her life and legacy, since 2018. Her work can be found through her website Garbo Talks and on Twitter as @garbo_talks.
Beatrix Herriott O’Gorman plays Laurel.
Beatrix is a filmmaker and writer based in Dublin. She has worked for AMC, Disney, and Metropolitan Films. She was a Screen Ireland/Fís Éireann Fellow at the Stowe Story Labs 2024 Connemara Writers’ Retreat, the recipient of the 2022 Arts Grant from Dun Laoghaire-Rathdown, and the Agility Award from the Arts Council of Ireland. Her film FORTY FOOT is currently in development. She loves 35mm film photography and being by the sea.
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Jack Warren plays Mad Dog Healy.
Jack Warren is an actor and filmmaker based in Dublin and New York. Their award-winning short films have screened all over the world, including at the Woodstock Film Festival, the GAZE International LGBTQ Film Festival, the American Cinematheque’s PROOF Film Festival, and the Irish Film Institute. They have a deep fondness for Barbara Stanwyck pictures and anything directed by Frank Borage. Check out all of their work at hellojackwarren.com and come say hi @hellojackwarren on Instagram.
Sound editing and special effects for SATIN RACKETS by Thomas O’Mahony.
Thomas O’Mahony is a London based Irish Podcast Producer who specialises in storytelling and audio design. He hosts a tattoo history show called Beneath the Skin, and is passionate about how we can use audio to tell new and innovative stories. You can find Thomas on all social media @gotitatguineys or contact him for business related inquiries at thomasomahony.media
Megan McGurk is a writer and director who carries a torch for studio era woman’s pictures. Megan wrote, directed, and produced the short film Sex Pirates of 1931. She has hosted Sass Mouth Dames film club in Dublin since 2017 and the podcast from 2018. She has written and directed eleven original radio plays set in the 1930s. She wrote an essay for Criterion on Love Affair. She is on Twitter @MeganMcGurk @SassMouthDames, Instagram @sassmouthdames, and Blue Sky @meganmcgurk.bsky.social
Jean Harlow leapt to stardom playing an unabashed gold digger (or a ‘sex pirate’ as screenwriter Anita Loos preferred) who never met a man she couldn’t trim. She turns the tables on her married boss (Chester Morris) who assumes he’s in charge of a little office slap and tickle. Harlow lampoons sexual double standards without missing a beat. Keep an eye out for swoon merchant Charles Boyer as the chauffeur.
Trouble in Paradise (1932)
Screens 19 September at 7.00
Director Ernst Lubitsch set the gold standard for sophisticated comedies brimming with style in Depression-era Hollywood. Kay Francis plays an elegant parfumier who gets tangled up with two swindlers, played by Miriam Hopkins and Herbert Marshall. The ‘Lubitsch touch’ is on tap with the moon in champagne, daring jewel robberies, an obscenely expensive handbag, class upheaval, and a scintillating three-cornered romance.
Murder at the Vanities (1934)
Screens 26 September at 7.00
Once Florenz Ziegfeld kicked the bucket in 1932, Earl Carroll became the top chorus line producer on Broadway. Carroll developed the story about a backstage murder mystery and took his showgirls to Hollywood. Directed by Mitchell Leisen, a king of woman’s pictures, and costumed by Travis Banton, the musical revues give Busby Berkeley a run for his money. Not to be missed for the ‘Sweet Marijuana’ number.
In 1933, Betty Compson was robbed at home. The thief stole nearly $50,000 in jewels. She was only one of many stars burgled in a series of Hollywood heists. But by this time in her career, Betty had seen every dirty racket the film colony invented and pledged to get her gems back.
Our new radio play was inspired by a newspaper story.
When women ruled Hollywood, gigolos grew on palm trees.
Betty Compson’s Diamonds is a Sass Mouth Dames production, written and directed by Megan McGurk.
Meet the stars:
Clara Higgins plays Betty Compson.
Clara is an Irish artist and writer perhaps better known as her pseudonym Mot Collins. Under this moniker, she creates illustrations, zines, and tattoos. Mot is interested in subversive expressions of femininity, sexuality, occultism, and comedy. She is highly influenced by pulp and punk culture. She can be found on Twitter as @heavydutywoman and @motcollinsart on Instagram. She will make her screen debut starring in the short film Sex Pirates of 1931.
Olympia Kiriakou plays Lila Lee.
Olympia Kiriakou is a film historian specializing in stardom and genre in classical Hollywood. She is the host of “The Screwball Story” podcast, and the author of BECOMING CAROLE LOMBARD: STARDOM, COMEDY, AND LEGACY (Bloomsbury, 2020). She is currently writing VIRGINIA GREY: GOOD LUCK CHARM for the University Press of Kentucky. Visit her website The Screwball Girl and find her on Twitter: @thescrewballgrl and @screwballstory.
M. Shawn plays Sally Eilers.
M. is a former television news producer, a writer, a researcher, an accidental homemaker, and a full-time Jean Harlow fan. After a year in quarantine, her blood type is banana bread, and if people were allowed to be fictional characters in a past life, she’d be Blondie Johnson.
Savannah Monroe plays Claudia Dell.
Savannah Monroe is a film writer and historian based in Colorado. Her focus is in the films and women of the classical Hollywood period. She has been researching and writing about Anne Bancroft, her life and legacy, since 2018. Her work can be found through her website Garbo Talks and on Twitter as @garbo_talks.
Renee Smith plays Genevieve Tobin.
Whenever Renee spent a weekend at her grandmother’s house, Nanna, who was a the best seamstress in town, would call Renee to her side to watch “the black and white movies” and point out all the great style. Renee and her sisters loved to play in Nanna’s closet with its furs, hats, lucite pumps and bejewelled bags. So of course she was drawn to Sass Mouth Dames and became a huge fan. Her mildly sardonic spouse and cheeky kids have accepted her recent insistence on wearing classic hats, big wrap shawls and gloves when she walks their muzzled dog, as she struts through the un-classic streets of her neighbourhood in Toronto, Canada.
Shane McCormack plays Finnegan Redmond.
Shane McCormack is a freelance illustrator specializing in movie and pop culture subjects.Recent licensed work includes Halloween and Ghostbusters. When not drawing he collects physical media especially 1930/40s movies and any Barbara Stanwyck film. He also enjoys photography and has a BA in Visual Art. He’s on Twitter as @mrharrylime. Shane is in pre-production as cinematographer for the short film Sex Pirates of 1931. You can see his work at www.mrharrylime.com
Patrick McGurk plays Chick Gallagher.
Pat is a resident of SWFLA, enjoying the proximity to the Ocean and the Gulf. He has been active in community theatre since high school as an actor, director and producer. Pat’s stage credits include such diverse roles as the Narrator in The Rocky Horror Show, Bud Frump in How to Succeed in Business Without Really Trying, Richard III, and various other parts in Shakespeare. He has also directed over 15 shows from Shakespeare to most recently Private Lives by Noel Coward. When not working on a show, or working, you can find Pat on the water with dive gear or a fishing rod.
Megan is a writer and director who carries a torch for studio era woman’s pictures. She has hosted Sass Mouth Dames film club in Dublin since 2017 and the podcast from 2018. She has written and directed ten original radio plays set in the 1930s. She wrote an essay for Criterion on Love Affair. She is on Twitter @MeganMcGurk and @SassMouthDames and Instagram @sassmouthdames. Currently, Megan is in pre-production as the writer and director of the short film Sex Pirates of 1931.
Art design for Betty Compson’s Diamonds by Mot Collins.
Sound editing and special effects by Tom O’Mahony.
Thomas O’Mahony is a London based Irish Podcast Producer who specialises in storytelling and audio design. He hosts a tattoo history show called Beneath the Skin, and is passionate about how we can use audio to tell new and innovative stories. You can find Thomas on all social media @gotitatguineys or contact him for business related inquiries at thomasomahony.media
